The album has so far sold over 260,000 copies Worldwide. Its sales have been initially lower than expected. Shawnna's second album Block Music was released on June 27, 2006. Her album was well received by critics, and spawned the singles 'Shake Dat Shit' and 'Weight a Minute'. Shawnna's debut album Worth tha Weight, originally scheduled to be released in October 2002, was delayed until Septemand was released with little promotion due to disputes at Def Jam. She was featured in the video along with Ludacris, Da Brat, and Twenty II.
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Before she recorded her first album, Shawnna was featured on the remix to the song 'Loverboy' by Mariah Carey for the album and movie Glitter. She then went on to team with Ludacris where she was featured on his song 'What's Your Fantasy'. and Kanye West, the duo was dropped and eventually split. The album did not live up to its title, despite production help from No I.D. Infamous Syndicate signed to Relativity a year later and released Changing the Game in 1999. She caught her first break in 1996, when her duo Infamous Syndicate opened for Junior M.A.F.I.A. Shawnna began writing rhymes while in high school. She is one of only four female rappers (others being Lauryn Hill, Lil' Kim and Remy Ma) to ever have a number one song on the US Billboard Hot 100 with 2003's 'Stand Up' with Ludacris.Īn MC from the south side of Chicago and the daughter of blues guitarist Buddy Guy. She is known for her rapid fire delivery and her sexually explicit image and lyrics. She is a former member of the female Chicago rap duo Infamous Syndicate and she is also the daughter of the blues musician Buddy Guy. She was the first female artist signed to Def Jam South through Ludacris' Disturbing tha Peace Records. Offenders and highlights aside, Here Comes the Cowboy might have been trimmed down to a solid EP or mini-album, but as a whole it just doesn't live up to the standards DeMarco set on his first three albums.Rashawnna Guy (born January 3, 1978), better known by her stage name Shawnna is an American rapper. The same goes for the title cut, a repetitive experiment that hangs on way too long, making for a confounding opener.
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When goofball Mac takes over on the sleazy "Choo Choo" and tail-dragging closer, "Baby Bye Bye," it just feels a bit tedious and unnecessary. Likewise, "On the Square" channels the best parts of his '70s studio pop obsession while the gentle, all-acoustic "K" serves as a winsome and heartfelt love song. Lead singles "Nobody" and "All of Our Yesterdays" are grade-A DeMarco tracks that feel like a nice continuation of This Old Dog's more personal style. With its camera phone happy-face button cover and minimalist production, Here Comes the Cowboy is a mixed bag of a record beset by an overall aimlessness where some crafty low-key gems have to share the bus with a few inane clunkers that probably should have stayed in the vault.
Growing up in prairie-bound Edmonton, he chafed against the cowboy image adopted by the jocks and bullies of his youth and only later adopted the term "cowboy" as a semi-affectionate slang term among his friends. Here Comes the Cowboy isn't really about cowboys, nor does it have a particularly country-inspired feel.
His fourth official album and inaugural release on Mac's Record Label (what else would he call it?) arrives as somewhat of a conundrum. Now ensconced in Los Angeles, a more tonally suitable geography than any of his previous Canadian or East Coast homes, DeMarco is seven years into his solo career, making him an established commodity in the indie world. Padding his three proper albums are various demo collections, mini-albums, instrumental sets, and EPs documenting his process and progress. The pranky slacker image that translated as DeMarco's public persona was certainly earned, but also served as a lazy subterfuge for a rather hardworking artist who records, produces, and plays all the instruments on what has turned out to be quite a lot of material. Having endured his surprisingly quick ascendance to indie stardom, Mac DeMarco took the breakout success of 2014's Salad Days in stride and merely carried on with business, refining his trademark blend of wobbly, chilled-out soft rock with increasing quality on outings like 2015's lovelorn Another One and 2017's more introspective This Old Dog.
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